What Is Wrong with This Picture?

I'm so frustrated! I got caught up in SALs I've seen on several blogs, and Karen of Sushine Stitches is a bad influence on me. Not really - she inspires me to join Yahoo groups and forums in which there are SALs going on that started at the beginning of the year. This means that I have a lot of catching up to do. In OakHaven Designs Yahoo group, there are two monthly SALs going, and I decided to do them both. Why? Because one is cute; one is pretty. I did the January owl without a problem (no pic yet). We're talking about simple here. Tonia Pappan of OakHaven Designs does wonderful, easy-to-see, easy-to-do and quick-to-stitch pdf charts. They're no-brainers. If I had a brain, the above would never have happened. I had bought 2 large pieces of 14ct aida in two different colors, mainly because it seemed that aida was being used by most of the members, and I liked this linen-look aida, although I nearly always buy linen or evenweave now. I do have nice colors of aida in my stash, even hand-dyed colors, that I will use from time to time just to get it used up. Anyway, I calculated the size I needed for the bird SAL and the owl SAL. The owls are bigger up and down; the birds are bigger side to side. I stitched the owl correctly. I stitched the bird you see on the right so that the others coudn't be stitched 3 across and 4 down, the way I had planned with the size of aida I had them cut for me. Sooo... I stitched the bird on the left the correct way, but it's one stitch off. The birds all are the same basic size and shape, just different colors and different surroundings. If I don't frog the 2nd bird, it won't match up with the other birds. I have yet to frog the first incorrect bird on the right, just so you could witness a no-brainer's work.

I'm a slow stitcher, so I've had to abandon my rotation to get a start on these SALs, and the thought of doing the same bird makes me sick. To think I've just joined The Stitch Specialists Yahoo group to do another SAL, the Tree of Stitches (featured on their homepage) and yet another SAL with the Merry Members of the SanMan Originals message board makes me even sicker. I've had different sweet souls tell me to weed out the ones that don't thrill me and just do the ones that do. Well, they all thrill me! So I've decided to put my rotation on hold and concentrate on these SALs to try to get caught up. It's supposed to be fun - that's what one of the sweet souls said to me, and she's right! My plan to get the SALs started are what thrills me right now and makes me happy, so that's what it shall be, and my other WIPs will wait. It's not a race, thank goodness!

The problem is that 2012 will bring another string of new SALs that will call to me, and I'm weak. I have no discipline, which is why I have a Chatelaine, Convent's Herbal Garden, along with the shocking sales receipt from European Cross Stitch from about 2004 or 2005 - untouched. I just bought the linen for it a couple of years ago - still untouched. My intentions are good, and I recently took it out to look at the pattern and instructions but that was before I got sidetracked by all these 2011 SALs that stole my heart. I have to get them going, then back to my other WIPs I had on the go, then I dearly want to do the Chatelaine, The Sampler Girl's Jane Austen's Mansfield Park Sampler, Ink Circle's BoInk that I never got to when the Tracy's Yahoo Group was going (it has since closed, but I printed the charts while there), and Garden Spot Sampler (circa late 18th century or early 19th century), and a host of Little House and Country Cottage Needlworks thread packs and kitted others, not only LHN and CCN, but tons of others. Why, oh why, can't I live a whole lot longer?